Galatina (LE), Italy — Featuring "Futuro d'amore" and “Il Primo Tempio”. Large-scale contemporary mosaics shifting the boundaries between fine art, space, and architectural design.
Rome, Italy — A visual and sonic fragment captured on December 13, 2025, at Spazio Rosen in Rome (San Lorenzo) during the Rosen Fest. The raw energy of the painting process merges in real time with the evocative compositions of pianist and composer Theo Allegretti. A powerful, immersive synergy.
Follow the activities of Spazio Rosen (School of Theatre, Cinema, and Art Workshops): www.spaziorosen.it
Milan, Italy — Monumental ceramic mosaic created for the exterior wall of architect Fabio Novembre's studio-home. 6x5 meters. This central detail showcases the Tree of Knowledge, whose foliage forms a balancing Yin and Yang, driven by the cosmic energy of two lovers that flows from their heads through the sacred wood to set the entire universe in motion. Populating this vision are unicorns, UFOs, and a rich repertoire of flora and fauna, fulfilling the architect's desire to experience his space as a modern Adam on Earth.
Nogu Teatro, Rome — A multidisciplinary live performance with poets Simone Giorgino and Maria Grazia Calandrone. The dionysian ritual of immediate gesture in deep listening with the poetic voice; furious brushstrokes translating sound, rhythm and word into pure color.
MAR – Art Museum of the City of Ravenna, Italy (Acquired in 2015) — Ceramic mosaic included in the world's most prestigious permanent collection of contemporary mosaic. Initiated in 1959 by Giuseppe Bovini, Giulio Carlo Argan, and Palma Bucarelli, this historic collection bridges modern avant-garde masters like Chagall, Guttuso, and Vedova with the most influential expressions of new generation total mosaic.
Spazio Rosen, Rome — Acrylic, pastels, ink and gold leaf on paper. Cm 150x200. Created during the Rosen Fest for the gestural performance “Granada solitaria” by Alessia D'Errigo (March 2026). A powerful testament to the freedom of pure color and raw instinct, translating theatrical motion into pictorial energy.
Pino Pascali Museum Foundation, Polignano a Mare, Bari — Ceramic mosaic on wood panel, 90x125 cm. Created for the anthological exhibition “Mosaici e carte dipinte”, curated by Daniele Torcellini. At the Pascali Museum, this specific mosaic was exhibited in direct dialogue with the projection of the historic 1960s Cirio commercials featuring Pino Pascali performing as the Neapolitan mask, activating a powerful intergenerational dialogue between mosaic art, pop iconography, and avant-garde heritage.
Milan / New York — Ceramic mosaic, resin, paper, objects. 33 x 47 cm. Created in Milan in collaboration with artist Matteo Pellegrino (a long-time collaborator of Gaetano Pesce), this work inaugurates a new form of "total mosaic." The head is modeled using hand-cut ceramic fragments, while the resin bust encapsulates various objects, including a map of New York. The piece was particularly cherished by the Maestro himself, who proudly kept it in his private New York studio during the final years of his life. Reputedly the only artwork not created by Pesce himself to be granted a permanent place within his private creative sanctuary.
Private Collection — Two large-scale paintings on paper (70x100 cm) born from the raw impulse of action painting, beautifully framed with white passe-partouts and displayed inside a modern kitchen. A true joy for the eyes and a vivid surge of energy for the spirit, this installation proves that dionysian contemporary art doesn't just belong on stage or in galleries—it is crafted to ignite and deeply nourish our everyday living spaces through the vibrant dominance of red.